Showing posts with label phil bevan. Show all posts
Showing posts with label phil bevan. Show all posts

Tuesday, 15 February 2011

Roll up, roll up!





























Bit shameless of me, this, but I'm having a clear out and have stuck a load of Doctor Who stuff onto Amazon Marketplace - you can check out what's for sale HERE. It's mainly VHSes, if there's anyone (else) still using them, a load of Virgin novels (including a rather smart copy of Gareth Robert's perennially-popular The Well-Mannered War), and other assorted oddments. Knock yourself out.

Also, given that I've just announced a temporary hiatus on this site, I wanted to take the opportunity to post this Phil Bevan image (which I cribbed from the 1995 annual) - having previously lamented how little of his work is online. Like most of his work, I think this is rather fab.

Anyway - one day, I shall return... Yes, one day...

Tuesday, 5 October 2010

Phil Bevan






















It’s upsettingly difficult to find any of Phil Bevan’s work kicking around on the internet - he’s unfortunately passed away, and as such there’s no portfolio of his illustrations online. It’s a crying shame because, alongside people like Adrian Salmon, he used some of the most unique and original visual language among artists working within Doctor Who.

This image is from one of the previews or preludes or whatever they were called which DWM used to run for the New Adventures – in this case, Daniel O’Mahony’s much-as-I-love-his-other-books-not-really-very-good Falls the Shadow. Using black and white pen and ink is unusually restrained for this sort of TV tie-in artwork, but it’s gorgeous, and shows off the slightly off-kilter attention to detail which made his art really distinctive (his idiosyncratic way of drawing hair in definite strands is particularly memorable).

I think he also did the illustrations for Gareth Roberts’ least-bad season seventeen Missing Adventure, The English Way of Death, but the picture I remembered recently was for a DWM article on what could have happened if the series had continued after season twenty-six. Bevan’s illustrations, rather wonderfully, depicted a be-ringed and dandified Richard Griffiths as a potential precursor to (Withnail co-star) Paul McGann’s official Eighth Doctor. If I get a chance to dig the issue out, I’ll post a scan, because it was a particularly glorious ‘Unbound’ concept.


Next Time: THE GREATEST SHOW IN THE GALAXY